A work in constant progress (and occasional regress).
Birthplace:
Karachi, Pakistan
Died:
February 2, 2019
In her films, photography and writing, Madiha AIJAZ (1981-2019, Pakistan) explored the experience of pleasure and privacy in urban spaces. She graduated from the Indus Valley School of Art & Architecture – where she later worked as an assistant professor – with a bachelor's degree in Design and held an MFA in Photography and Related Media from Parsons. In 2014, Aijaz published a book on Hindu temples in Pakistan and her art was exhibited internationally, including at Urban Flux Film Festival in Johannesburg and IAWRT Asian Women's Film Festival in New Delhi. At IFFR 2019, her most recent work These Silences Are All the Words (2018) was screened in the Ammodo Tiger Short Competition. Shortly after her visit to Rotterdam, she passed away in her hometown Karachi.
Director:
2016 Veer Ras
2018 Memorial for the Lost Pages
Producer:
2016 Veer Ras
2018 Memorial for the Lost Pages
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.