A work in constant progress (and occasional regress).
Alias:
Σωτήρης Γκορίτσας
Birthplace:
Athens, Greece
Sotiris Goritsas (Athens, 1955 - ) is a Greek director. He studied economics at ASOEE (now the University of Economics) and cinema at the London International Film School (LIFS) in London. In the period 1985–1988 he directed over 25 documentaries for ET1, for the broadcasts of ERT in Northern Greece and Periscope. At the same time, he also worked in advertising. His films have been presented at international competitive festivals (Cannes, Tokyo, Montreal, Chicago, Amiens, Cairo, etc.) where they have received awards and distinctions for the script and direction. Despina's first medium length film was awarded in 1990 as the 1st best at the Thes/kis festival. His first major film From the Snow won the Golden Alexander at the Thessaloniki International Film Festival in 1993 and many awards at other international festivals. The second film of the Balkanizer in 1997 was a great commercial success which marked the beginning of the return of the public to the Greek film. His film From the Bones was awarded in 2011 as the 1st best film at the Los Angeles festival and by the Hellenic Film Academy (E.A.K) for its actors and editing.
Co-Producer:
1997 Balkanisateur
Director:
1990 Despina
1993 From the Snow
1997 Balkanisateur
2001 Brazilero
2007 Parees
2011 Welcome to 'All Saints
2022 Where We Live
Producer:
1990 Despina
1993 From the Snow
1997 Balkanisateur
2001 Brazilero
2007 Parees
2011 Welcome to 'All Saints
2022 Where We Live
Screenplay:
1990 Despina
1993 From the Snow
1997 Balkanisateur
2001 Brazilero
2007 Parees
2011 Welcome to 'All Saints
2022 Where We Live
Writer:
1990 Despina
1993 From the Snow
1997 Balkanisateur
2001 Brazilero
2007 Parees
2011 Welcome to 'All Saints
2022 Where We Live
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.