A work in constant progress (and occasional regress).
Birthplace:
Verona, Italy
Born:
October 23, 1925
Died:
June 29, 2009
A crucial figure in Italian post-war art, Marinella PIRELLI left behind a unique body of work, including painting, drawing, moving image, light environments and experimental cinema. With a career spanning more than fifty years, Pirelli's artistic efforts and unquestionable talent are still surprisingly under-recognised. Her approach–both incredibly personal, and avant-garde–has meant that Pirelli has avoided many definable schools and currents, although remaining in contact with the best of contemporary creativity of her time. Marinella was at this time particularly close to the artists Carla Accardi, Jannis Kounellis, Luciano Fabro, Bruno Munari and the important feminist theorist, Carla Lonzi. She was one of the few Italian woman artists working in experimental film and her works traverse numerous thematics connected to the body, the gaze and the relationship with the cinema apparatus/projection event. Marinella Pirelli passed away at the age of 84 years in 2009. In the final years of her life, Pirelli had retrospectives at the Chiostro di Voltorre, Varese (1999), at Villa Panza, Varese and at the Museo de Arte Moderna, São Paulo (2003), at La Permanente, Milan (2005). Spanning more than fifty years, Pirelli's artistic efforts are still surprisingly under recognised though her recent retrospective at Museo del Novecento in Milan (2019) has brought her back under the spotlight. She was awarded numerous prizes, including the FEDIC - Italian Cineclub Federation Award (1964); and the 57th Michetti Award - Italian Lab (2006). [biography from Richard Saltoun Gallery]
Director:
1961 Gioco di dama
1964 Pinca e Palonca
1965 Il lago (soggettivo-oggettivo)
1966 Da Neve A Rosa
1966 Garments
1966 Il Lago Azzurrino
1966 La Piccola Noia
1967 Luce movimento
1967 Narcissus, film experience
1968 Naturale Artificiale (La Rosa)
1969 Al Di Là Della Pittura
1969 Document #2
1969 Film Ambiente
1969 Nuovo Paradiso
1969 inter-vento
1970 Document #1
1970 Sole Sole Sole
1971 Bruciare
1973 Sole in mano (o appropriazione, a propria azione, azione propria)
1974 Double Self-Portrait
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.