A work in constant progress (and occasional regress).
Birthplace:
Baghdad, Iraq
Born:
August 23, 1988
Born in 1988 in Baghdad, Ali studied filmmaking at the college of Fine Arts, Baghdad University. He gained experience by working as an editor on a number of films for over 12 years. He also directed several films, such as life in darkness, as well as a feature documentary Balanja. He worked for 5 years as an independent producer on a number of short and feature films, most recent of which was the feature film Haifa Street,which was selected among the most important African, Middle Eastern and Arab projects at the Venice International Festival (Final Cut). currently he continue working on many Iraqi films as producer, in one of the most important independent film companies in Baghdad, he recently produced and edited one of the most Iraqi successful feature film "Haifa street" which got recently the biggest award in Busan international film festival and best film and best actor at Cairo international film festival. "woodman" is a feature film project he is currently working with as producer for the Iraqi director Qutaiba Aljanabi.
Director:
2015 Balanja
2018 Life in Darkness
Editor:
2015 Balanja
2018 Life in Darkness
2019 Haifa Street
Producer:
2015 Balanja
2018 Life in Darkness
2019 Haifa Street
2022 Iraq's Invisible Beauty
2023 The Woodman
Writer:
2015 Balanja
2018 Life in Darkness
2019 Haifa Street
2022 Iraq's Invisible Beauty
2023 The Woodman
Executive Producer:
2021 The Red Zone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.