Rebecca Knowles

Rebecca Knowles is a bicoastal actor and producer who splits her time between Los Angeles, Boston, and New York City.  Her most recent television credits include The Marvelous Mrs. Maisel (Amazon), Mindy Kaling's Never Have I Ever (Netflix), and Unbreakable Kimmy Schmidt (Netflix). New media: Intern in Chief (YouTube/Brat), which hit 1 million views on YouTube in the first week, and a recurring role on Snapchat's Solve.  Her film credits include the horror feature anthology Immortal opposite Dylan Baker, the award- winning feature film Stalker - screening in national film festivals, and well as over a dozen indies and short films during her blossoming career. Theatrically, she was seen in Lincoln 2020: an award-winning Hollywood Fringe show, Girls in White at 54 Below (with Michael Cerveris, Lauren Patten, Bonnie Milligan, Ephie Aardema), New York Musical Theatre Festival, A Musical Christmas Carol (Pittsburgh CLO), and Rope (The REP).  Rebecca believes in the importance of community and is serving on multiple SAG AFTRA committees, including the Los Angeles Next Generation of Performers (NextGen) Committee, the Los Angeles Women's Committee, and the National Next Generation of Performers Committee.  Additionally, she can be heard sharing her experience on multiple podcasts, as well as educating young students, speaking at workshops for The American Theatre Wing and Los Angeles' Notre Dame High School. Her advice to aspiring performers? "There will always be someone to tell you you're not good enough or talented enough or that your dreams are too big. Don't let that person be you."

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.