Hannah Townsend (b. 1987)

Birthplace:
San Diego, California, USA

Born:
November 25, 1987

Hannah Townsend is an American born model, classically trained actress, writer, director & activist from SoCal. Her parents Dan (of Irish descent) & Patricia (of Native American, Mexican, Asian descent) had the bloodline & lifestyle of radical hippies raising Hannah on acclaimed film, art, Motown & Classic Rock music at a very early age. Growing up with family roots out of San Yisdro on the border of Mexico, diving head first into the world of watching brilliant cinema by Stanley Kubrick & listening to Jimi Hendrix religiously was a perfect way for her to cope with the rough neighborhood streets in a positive way. She began singing at the age of 7 consistently with her hometown church choir continuing into her teens doing school plays, scene study & script analysis in high school. She rigorously studied Shakespeare Iambic Pentameter & booked the lead in "The Comedy of Errors" portraying Adriana at The Old Globe Theatre youth scholarship program of San Diego. Her discipline & respect for the creative arts grew into a self discovery passion pursuit thereafter.  Hannah is a Dean's List Honors graduate from the Meisner trained San Diego MCTC Acting/ Theatre Production Conservatory Program. Along with a passion & training in various techniques of acting, some of her long time studies include working on her craft with acclaimed method acting coach Eric Morris, Larry Moss, Upright Citizen's Brigade Improv Comedy, the AFI SAG-Aftra Conservatory & the Studio 4 LA Filmmaking Masterclass taught by James Franco/ Sean Barnes. She is now training on zoom with gifted acting coach John Markland who coached Rami Malek for his Oscar winning performance in "Bohemian Rhapsody" and is a proud member of NYWIFT (New York Women in Film and Television).  Hannah plays the character Elise on HBO's "The Deuce" by David Simon & George Pelecanos. She is based in New York City.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.