A work in constant progress (and occasional regress).
Alias:
JPP
Jean-Pierre Alfred Xavier Pernaut
Birthplace:
Amiens, Somme, Picardie, France
Born:
April 8, 1950
Died:
March 2, 2022
Jean-Pierre Pernaut (8 April 1950 – 2 March 2022) was a French news reader and broadcaster. Born Jean-Pierre Alfred Xavier Pernaut, he was widely known simply by his initials, JPP. The regular presenter of station TF1's lunchtime news bulletin, the 13 Heures (1pm) between 1988 and 2020, Pernaut's combination of avuncular personality and authoritative delivery made him one of France's most popular news readers. Also editor-in-chief of the bulletin, Pernaut long promoted a deliberate policy of trivial content in each edition, usually running items about local culture and traditional crafts towards the end of the broadcast. The approach won a regular audience of between seven and eight million for the 13 Heures, a considerable figure for a lunchtime news programme. From 1991 to 2010 he was also the longtime presenter of Combien ça coûte ? (How much does that cost?), a monthly consumer programme, again on TF1. Furthermore, from 1988 until his death Pernaut served on the board of directors of TF1 Group as a representative of the firm's employees. Pernaut, partner of former Miss France winner Nathalie Marquay, published his best-selling memoirs in 2005. Shortly before that, he published two volumes of Les magnifiques métiers de l'artisanat (Splendid trades of the craft industry), which were glossy, but informative, tomes devoted to the subjects which have made his news bulletins so distinctive. Pernaut died from lung cancer in Paris on 2 March 2022, at the age of 71.
Writer:
2019 Régime Présidentiel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.