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Marie-Louise Elia (b. 1990)

Alias:
Marie-Louise 'Malou' Elia

Birthplace:
Lebanon

Born:
December 19, 1990

Biography from TheMovieDB

Marie-Louise ‘Malou’ Elia is a Lebanese screenwriter, director, and editor. She studied Film Directing and Screenwriting in Beirut and New York.  A Film Independent alumna and a 2022 Global Media Makers fellow, Marie-Louise wrote and directed several short films and documentaries. She also edited many documentaries and short fiction films - some are currently having their festival run. In 2014, she was selected among the editing talents of the Beirut Talents.  In addition to writing the series “Men Home La Hon”, Marie-Louise is currently developing three films: The Savior, a feature comedy, "Yearning" a short dramatic film and another feature screenplay We Find You Anywhere, winner of the Most Promising Screenplay prize, second place, at the Cinemai’yat Film Festival (2016).  She is also a lecturer at the Lebanese Academy of Fine Arts (ALBA), and formerly at Saint Joseph University and the Lebanese University.

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Additional information:

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Film Performances

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Film Production

Director:
2017  Take 18
2024  Death & Other Fears
????  Beirut in Black & White

Editor:
2017  Take 18
2021  Recovery
2024  Death & Other Fears
????  Beirut in Black & White
????  We Never Left

Screenplay:
2017  Take 18
2021  Recovery
2024  Death & Other Fears
????  Beirut in Black & White
????  We Never Left

Writer:
2017  Take 18
2021  Recovery
2024  Death & Other Fears
????  Beirut in Black & White
????  We Never Left

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.