A work in constant progress (and occasional regress).
Spanish-Venezuelan Elena Duque is a filmmaker, curator, writer and teacher. As a filmmaker, she has completed several animation and experimental short films, such as Cómo hacer un fanzine, exhibited in the art center CA2M in Madrid, De cara a la galeria, that premiered in Curta 8 (Curitiba, Brasil), La mar salada, programmed in the festivals Transient Visions (New York), Moving (Kioto) and Florida Experimental Film Festival, Pla y Cancela, selected in Verín and D'A in Barcelona, and in the exhibition Cibermujeres in the Neomudéjar Arts Center in Madrid and Valdediós (2019), part of the Official Section of Punto de Vista Festival in Pamplona, and selected in festivals such as London Animation Film Festival, Les Inattendus (Lyon), Milwaukee Undergrounfd Film Festival and Experiments in Cinema. In 2020, Echo Park Film Center in Los Angeles, California, hosted a monographic program of her works under the name "Elena Duque. Who I Am and Why I Make Films". She has also created festival trailers for FilMadrid, SACO and (S8) Mostra de Cinema Periférico, as well as several music videos and commissioned works. As a programmer, writer, editor and moderator, she has worked in festivals such as Gijón, Rotterdam and Bafici (Buenos Aires), where she edited the book Val del Omar. Más allá de la órbita terrestre in 2015. She has also curated programs for the Images Festival in Toronto, Tabakalera (San Sebastián), San Francisco Cinematheque, SACO (OVIEDO), the Festival de Jóvenes Realizadores de Granada and Cineteca Matadero (Madrid). She currently works as a programmer and catalog editor in (S8) Mostra de Cinema Periférico in A Coruña and in the Seville European Film Festival. She has collaborated in publications such as Diario Público, Arte Contexto, Caimán Cuadernos de Cine, Lumière, La Furia Umana and CCCB’s blog. Besides all this, she has edited the book 8 super 8, on experimental filmmakers working in super 8, as well as a number of zines on experimental cinema. She has also written the children’s book Fortunata, published by Autoridad Portuaria de Gijón. As a teacher, she has given the lecture “Paper and Scissors Films. Collage and Experimental Animation in Spain” and the workshop “Povera Animation” in Sao Paulo and Porto Alegre (Brasil) Cinematheques, as part of the program of MIRA - Mostra de Novo Cinema Espanhol 2015. She has also conducted animation workshops in CICUS (Sevilla), FIJR (Granada) and in La Casa Encendida (Madrid), and she has taught classes on experimental, animated and non fiction cinema in centers such as Master LAV in Madrid and the Aula Xcèntric in Barcelona.
Animation:
2020 Valdediós
Director:
2013 El texu de Bermiego
2014 La Mar Salada
2014 Ñam
2016 Postales
2017 Pla y Cancela
2020 Valdediós
2021 A (possible) trip around the world in super 8
2021 Private Collection
2023 MAR DE CORAL
2023 Naturaleza muerta
2023 Ojitos Mentirosos
2023 Pintura-acción
2023 Retrato sentado
Director of Photography:
2013 El texu de Bermiego
2014 La Mar Salada
2014 Ñam
2016 Postales
2017 Pla y Cancela
2020 Valdediós
2021 A (possible) trip around the world in super 8
2021 Private Collection
2023 MAR DE CORAL
2023 Naturaleza muerta
2023 Ojitos Mentirosos
2023 Pintura-acción
2023 Retrato sentado
Editor:
2013 El texu de Bermiego
2014 La Mar Salada
2014 Ñam
2016 Postales
2017 Pla y Cancela
2020 Valdediós
2021 A (possible) trip around the world in super 8
2021 Private Collection
2023 MAR DE CORAL
2023 Naturaleza muerta
2023 Ojitos Mentirosos
2023 Pintura-acción
2023 Retrato sentado
Writer:
2013 El texu de Bermiego
2014 La Mar Salada
2014 Ñam
2016 Postales
2017 Pla y Cancela
2020 Valdediós
2021 A (possible) trip around the world in super 8
2021 Private Collection
2023 MAR DE CORAL
2023 Naturaleza muerta
2023 Ojitos Mentirosos
2023 Pintura-acción
2023 Retrato sentado
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.