A work in constant progress (and occasional regress).
Birthplace:
Los Angeles, California, USA
Born:
January 1, 1946
Ulysses Jenkins was born in 1946, in Los Angeles, California. He studied painting and drawing as an undergraduate at Southern University in Baton Rouge, Louisiana, and later received an MFA in intermedia-video and performance art from Otis Art Institute (now known as Otis College of Art and Design). Prior to enrolling at Otis, from 1970-72 Jenkins worked with the Los Angeles County Probation Department, teaching art to nondelinquent youth, and in 1989, taught video through a gang-intervention program in Oakland. Jenkins is the recipient of numerous awards, including individual artist fellowships from the National Endowment of the Arts, and named first place in experimental video by the Black Filmmakers Hall of Fame in 1990 and 92. His work has been included in major exhibitions, including America is Hard to See (2015), at the Whitney Museum of American Art, Now Dig this!: Art and Black Los Angeles 1960-1980 (2012), at the Hammer Museum, and California Video (2008) at the Getty Center. Jenkins is currently Associate Professor in the Claire Trevor School of the Arts and an affiliate professor in the African American Studies program at the University of California, Irvine.
Camera Operator:
1983 Dream City
Director:
1978 King David
1978 Mass of Images
1979 Two-Zone Transfer
1980 Remnants of the Watts Festival
1981 Inconsequential Doggereal
1983 Cake Walk
1983 Dream City
1983 Without Your Interpretation
1983 Z-Grass
1985 Peace and Anwar Sadat
1989 Self Divination
1990 Mutual Native Duplex
1991 The Nomadics
1994 Secrecy: Help Me to Understand
2006 Planet X
2007 Notions of Freedom
???? In The Midnight Hour
Editor:
1978 King David
1978 Mass of Images
1979 Two-Zone Transfer
1980 Remnants of the Watts Festival
1981 Inconsequential Doggereal
1983 Cake Walk
1983 Dream City
1983 Without Your Interpretation
1983 Z-Grass
1985 Peace and Anwar Sadat
1989 Self Divination
1990 Mutual Native Duplex
1991 The Nomadics
1994 Secrecy: Help Me to Understand
2006 Planet X
2007 Notions of Freedom
???? In The Midnight Hour
Producer:
1978 King David
1978 Mass of Images
1979 Two-Zone Transfer
1980 Remnants of the Watts Festival
1981 Inconsequential Doggereal
1983 Cake Walk
1983 Dream City
1983 Without Your Interpretation
1983 Z-Grass
1985 Peace and Anwar Sadat
1989 Self Divination
1990 Mutual Native Duplex
1991 The Nomadics
1994 Secrecy: Help Me to Understand
2006 Planet X
2007 Notions of Freedom
???? In The Midnight Hour
Writer:
1978 King David
1978 Mass of Images
1979 Two-Zone Transfer
1980 Remnants of the Watts Festival
1981 Inconsequential Doggereal
1983 Cake Walk
1983 Dream City
1983 Without Your Interpretation
1983 Z-Grass
1985 Peace and Anwar Sadat
1989 Self Divination
1990 Mutual Native Duplex
1991 The Nomadics
1994 Secrecy: Help Me to Understand
2006 Planet X
2007 Notions of Freedom
???? In The Midnight Hour
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.