A work in constant progress (and occasional regress).
Kevin Lau is a freelance writer and filmmaker. He has worked on various independent productions and produce some of his own.
Additional Production Assistant:
2020 Killing Eleanor
Assistant Editor:
2020 Killing Eleanor
2022 Happily Never After
Boom Operator:
2020 Killing Eleanor
2022 Happily Never After
2024 Holiday Hold-Up
Camera Production Assistant:
2020 Killing Eleanor
2022 Happily Never After
2024 Holiday Hold-Up
2025 Black Mold
Craft Service:
2020 Killing Eleanor
2022 Alex/October
2022 Happily Never After
2024 Holiday Hold-Up
2025 Black Mold
Director:
2018 Le Sock Puppets
2020 Killing Eleanor
2022 Alex/October
2022 Happily Never After
2024 Holiday Hold-Up
2025 Black Mold
Grip:
2018 Le Sock Puppets
2020 Killing Eleanor
2022 Alex/October
2022 Happily Never After
2023 Afterlife
2024 Holiday Hold-Up
2025 Black Mold
Key Set Production Assistant:
2018 Le Sock Puppets
2020 Killing Eleanor
2021 Broadcast Signal Intrusion
2022 Alex/October
2022 Happily Never After
2023 Afterlife
2024 Holiday Hold-Up
2025 Black Mold
Location Scout:
2018 Le Sock Puppets
2020 Killing Eleanor
2020 Rising Phoenix
2021 Broadcast Signal Intrusion
2022 Alex/October
2022 Happily Never After
2023 Afterlife
2024 Holiday Hold-Up
2025 Black Mold
Producer:
2018 Le Sock Puppets
2020 Killing Eleanor
2020 Rising Phoenix
2021 Broadcast Signal Intrusion
2022 Alex/October
2022 Happily Never After
2023 Afterlife
2024 Holiday Hold-Up
2025 Black Mold
???? Brim
???? Sweet Dreaming
???? When the Night Falls
Production Assistant:
2018 Le Sock Puppets
2020 Killing Eleanor
2020 Rising Phoenix
2020 The Last Shift
2021 Broadcast Signal Intrusion
2022 Alex/October
2022 Happily Never After
2022 Revealer
2023 Afterlife
2024 Holiday Hold-Up
2025 Black Mold
???? Brim
???? Sweet Dreaming
???? When the Night Falls
Production Office Assistant:
2018 Le Sock Puppets
2019 Friend Request
2020 Killing Eleanor
2020 Rising Phoenix
2020 The Last Shift
2021 Broadcast Signal Intrusion
2022 Alex/October
2022 Happily Never After
2022 Revealer
2023 Afterlife
2024 Holiday Hold-Up
2025 Black Mold
???? Brim
???? Sweet Dreaming
???? When the Night Falls
Sound:
2018 Le Sock Puppets
2019 Friend Request
2020 Killing Eleanor
2020 Rising Phoenix
2020 The Last Shift
2021 Broadcast Signal Intrusion
2022 Alex/October
2022 Happily Never After
2022 Revealer
2023 Afterlife
2024 Bedtime Story
2024 Holiday Hold-Up
2025 Black Mold
???? Brim
???? Sweet Dreaming
???? When the Night Falls
Unit Production Manager:
2018 Le Sock Puppets
2019 Friend Request
2020 Killing Eleanor
2020 Rising Phoenix
2020 The Last Shift
2021 Broadcast Signal Intrusion
2022 Alex/October
2022 Happily Never After
2022 Revealer
2023 Afterlife
2024 Bedtime Story
2024 Holiday Hold-Up
2025 Black Mold
???? Brim
???? Sweet Dreaming
???? When the Night Falls
Writer:
2018 Le Sock Puppets
2019 Friend Request
2020 Killing Eleanor
2020 Rising Phoenix
2020 The Last Shift
2021 Broadcast Signal Intrusion
2022 Alex/October
2022 Happily Never After
2022 Revealer
2023 Afterlife
2024 Bedtime Story
2024 Holiday Hold-Up
2025 Black Mold
???? Brim
???? Sweet Dreaming
???? When the Night Falls
Assistant Camera:
2014 The Carbonaro Effect
Location Production Assistant:
2014 Fargo
2014 The Carbonaro Effect
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.