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Tim Muñoz

Biography from TheMovieDB

Tim Muñoz has always had a passion for movies. Is particularly drawn to the works of classic filmmakers like Akira Kurosawa, Ingmar Bergman, Federico Fellini and the proponents of the French New Wave. A fan of independent films. These small projects are works of art which reflect the passion of their creators. His love for film has brought him to courses in the New York Film Academy, plus tons of filmmaking books. Has worked as a scriptwriter and director for the biggest television network in the Philippines, ABS-CBN, for around 15 years. Presently residIing and working in Washington, DC. But goes back and forth to the Philippines for his film projects.  'Hombre' was his first full-length feature, although hvaing completed some short films in the past. Being gay, most of his themes are gay in nature (with filmmakers like Marco Berger of Argentina and Julian Hernandez of as his new idols).  His scripts are in the Filipino vernacular but subtitles are always provided for me to reach an international audience.  He dives into every detail of my production. From scripting to directing, camera work to editing. Always striving to create a piece of work tof which he would be proud of.

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Film Production

Director:
2016  Estranghero
2017  Hombre
2018  Lodi
2021  Don Filipo

Screenplay:
2016  Estranghero
2017  Hombre
2018  Lodi
2021  Don Filipo

Writer:
2016  Estranghero
2017  Hombre
2018  Lodi
2021  Don Filipo

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.