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Daniel Lombroso (b. 1993)

Born:
March 4, 1993

Biography from TheMovieDB

Daniel Lombroso is a director and journalist. His debut feature film, WHITE NOISE, based on his four years reporting inside the alt-right, premiered in 2020 to critical acclaim. It was named one of the top documentaries of the year by Vox and The Boston Globe. His latest short, AMERICAN SCAR, received an Honorable Mention for the Grand Jury Prize at DocNYC. Lombroso has discussed his work in Variety, Vox, NPR, and Filmmaker Magazine, and been awarded five Vimeo Staff Picks. He is a staff filmmaker at The New Yorker, after five years at The Atlantic.

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Film Production

Cinematography:
2020  White Noise
2023  Goodbye, Morganza
2023  You'll Be Happier

Co-Producer:
2020  White Noise
2023  Goodbye, Morganza
2023  You'll Be Happier

Director:
2020  White Noise
2021  American Scar
2022  Greywater
2023  Denial
2023  Goodbye, Morganza
2023  Nina & Irena
2023  You'll Be Happier
2024  Hold the Line

Producer:
2020  White Noise
2021  American Scar
2022  Greywater
2022  I Did Not Want to Make a War Film
2023  Denial
2023  Goodbye, Morganza
2023  Nina & Irena
2023  You'll Be Happier
2024  Hold the Line
2024  It's Okay
2024  Love to the Max

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.