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Alyssa Renzi

Biography from TheMovieDB

Alyssa is a filmmaker from New York currently residing in Los Angeles. Her love of film and storytelling started in grade school and has now turned into a passion. As a cinematographer she has worked on a number of different projects including short films, web series, documentaries, commercials, and music videos. "Hanger's Limb", a historical drama she co-DP'd, was selected as a 2019 Student Academy Award Semi-Finalist. "What If?: Mickey Hargitay Plants", a short film she was the cinematographer for, screened at the 2018 Detroit SheTown Film Festival and the 2019 Method Fest Independent Film Festival. Previously, she was the director/cinematographer for "Behind the Cereal: The Lost Krispie", a web series pilot that was an official selection of the 2017 ITV Fest. She completed her MFA in film & television production at USC's School of Cinematic Arts. Alyssa has worked with many different cameras and on many different levels of production.

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Film Production

Assistant Camera:
2019  Black Cat in a Dark Room
2021  Sing (to me)

Cinematography:
2019  Black Cat in a Dark Room
2021  Sing (to me)
2024  Impulses

Colorist:
2019  Black Cat in a Dark Room
2021  Sing (to me)
2024  Impulses

Grip:
2019  Black Cat in a Dark Room
2019  Spoiled Milk
2021  Sing (to me)
2024  Impulses

Second Assistant Camera:
2019  A Craftsman
2019  Black Cat in a Dark Room
2019  Spoiled Milk
2021  Sing (to me)
2024  Impulses

Still Photographer:
2019  A Craftsman
2019  Black Cat in a Dark Room
2019  Spoiled Milk
2021  Sing (to me)
2022  Immanence
2024  Impulses

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TV Production

Assistant Camera:
2022  Southern Hospitality

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.