James Serpento

James Serpento is a largely Midwestern performing artist, filmmaker, and educator, having been raised in Iowa, and educated at Iowa State University (Ames) and Indiana University (Bloomington). He credits such Midwestern institutions as Chicago Dramatists, the Bloomington Playwrights Project and the Iowa Scriptwriters Alliance with his development as a writer for stage and screen.  His favorite city is Chicago, where he spent a number of years as an actor, director, writer and teacher before moving on to Los Angeles, where he has worked primarily as a director onstage, and to which he occasionally returns.  His current projects are a musical version of Euripides' "The Bacchae," for which he co-authored book and lyrics with Jeff Charis-Carlson, with music by Sarah Evans; and two new plays, "Every Cottage Home" (co-authored with Louise Bylicki), and "Doll" (about Franz Kafka). A collection of new short plays, "Love, For Short," co-authored with R. Andrew White, adapted from works of Anton Chekhov, was published in 2021.  He has one child, a son named Samuel.

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Director:
2009  Haunting Villisca

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.