A work in constant progress (and occasional regress).
Alias:
Ben Eon
Birthplace:
Rueil-Malmaison, France
Born:
June 30, 1967
Benoit Eon is a French still photographer known since his teens for his photos behind the scenes of the movie Good king Dagobert (Le Bon Roi Dagobert). Her grandmother Anne Caprile was a well-known actress from the 1950s to the 1970s and his grandfather Claude Baks was a friend and producer associated with the director Roberto Rossellini. After completing his military service in France as a photographer and camera operator for the cinematographic and photographic institution of the armies, he became in 1992 one of the European pioneers in virtual editing & 3D image synthesis and participates as a subcontractor in the finalization of scenes of various movies like The Mask with Chuck Russel or The Fifth Element (Le Cinquième Élément) with Luc Besson. He is also known in France for his photos of famous singers on stage or backstage, including in Cuba those of the famous Cuban group Buena Vista Social Club as well as those of very many singers of the French film Stars 80. He leaves Paris in 2006 to settle in a small village in the south of France where he continues to photograph various artists or events around the world as the world premiere of the movie Avengers : Age of Ultron for Marvel Studios in Hollywod or the making of the series The Hotwives of Las Vegas for Hulu in Las Vegas.
Still Photographer:
1984 Good King Dagobert
1990 Le jeu du renard
Thanks:
1984 Good King Dagobert
1990 Le jeu du renard
2023 The Family
Trainee Production Coordinator:
1984 Good King Dagobert
1985 Asterix vs. Caesar
1990 Le jeu du renard
2023 The Family
Visual Effects:
1984 Good King Dagobert
1985 Asterix vs. Caesar
1990 Le jeu du renard
1991 Terminator 2: Judgment Day
2023 The Family
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.