A work in constant progress (and occasional regress).
Constance Marks is an award-winning independent documentary filmmaker. She is the founder and president of Constance Marks Productions, Inc., a documentary production company based in New York City. Marks began her filmmaking career over 35 years ago as an assistant editor for the renowned Cinema Verite pioneers, David and Albert Maysles. Marks’ critically acclaimed films have been shown theatrically, broadcast widely, and garnered numerous awards. Her productions include: Being Elmo: A Puppeteer's Journey which won the Special Jury Prize at the Sundance Film Festival and has been exhibited worldwide to critical acclaim, and Green Chimneys— a full-length documentary feature film which premiered at the Sundance Film Festival and aired on HBO. Marks has produced numerous films focusing on important social issues including homelessness, the elderly, experimental charter schools, teen pregnancy and substance abuse recovery residences.
Director:
1983 Return to Appalachia
1993 Let's Fall in Love: A Singles Weekend at the Concord Hotel
1997 Green Chimneys
2011 Being Elmo: A Puppeteer's Journey
2023 Grandpa Was An Emperor
Executive Producer:
1983 Return to Appalachia
1993 Let's Fall in Love: A Singles Weekend at the Concord Hotel
1996 Queens of the Big Time
1997 Green Chimneys
2011 Being Elmo: A Puppeteer's Journey
2023 Grandpa Was An Emperor
Producer:
1983 Return to Appalachia
1993 Let's Fall in Love: A Singles Weekend at the Concord Hotel
1996 Queens of the Big Time
1997 Green Chimneys
2011 Being Elmo: A Puppeteer's Journey
2023 Grandpa Was An Emperor
Thanks:
1983 Return to Appalachia
1993 Let's Fall in Love: A Singles Weekend at the Concord Hotel
1996 Queens of the Big Time
1997 Green Chimneys
2007 Reflections of 'The Dark Crystal'
2011 Being Elmo: A Puppeteer's Journey
2023 Grandpa Was An Emperor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.