A work in constant progress (and occasional regress).
Alias:
Nelson Lik-wai Yu
Nelson Yu
Yu Lik-wai
余力为
余力爲
Birthplace:
British Hong Kong
Born:
August 12, 1966
Yu Lik-wai (simplified Chinese: 余力为; traditional Chinese: 余力爲; pinyin: Yú Lìwéi; Jyutping: Yu4 Lik6 Wai4; born 12 August 1966), sometimes credited as Nelson Yu, is a Hong Kong cinematographer, film director, and occasional film producer. Born in Hong Kong, Yu Lik-wai was educated at Belgium's INSAS (Institut National Superieur des Arts de Spectacle) where he graduated with a degree in cinematography in 1994. Yu has become a mainstay in both the cinemas of China (where he is perhaps best known for his collaborations with director Jia Zhangke) and Hong Kong. Yu has served as director of photography for nearly all of Chinese director Jia Zhangke's films, and along with Jia, the two men founded their own independent film production company, Xstream Pictures.
Associate Producer:
2001 Platform
2002 Unknown Pleasures
2004 The World
Cinematography:
2001 Platform
2002 Unknown Pleasures
2004 The World
2023 The Best is Yet to Come
Co-Producer:
2001 Platform
2002 Unknown Pleasures
2004 The World
2023 The Best is Yet to Come
2024 Caught by the Tides
Creative Consultant:
2001 Platform
2002 Unknown Pleasures
2004 The World
2018 Ash Is Purest White
2023 The Best is Yet to Come
2024 Caught by the Tides
Director:
1996 Neon Goddesses
1999 Love Will Tear Us Apart
2001 Platform
2002 Unknown Pleasures
2003 All Tomorrow's Parties
2004 Dance Me to the End of Love
2004 Jeonju Digital Project 2004
2004 The World
2009 Plastic City
2018 Ash Is Purest White
2023 The Best is Yet to Come
2024 Caught by the Tides
???? Shanghai, I Love You
???? Wild Punch
Director of Photography:
1996 Neon Goddesses
1997 Pickpocket
1999 Love Will Tear Us Apart
1999 Ordinary Heroes
2001 In Public
2001 Platform
2002 Unknown Pleasures
2003 All Tomorrow's Parties
2004 Dance Me to the End of Love
2004 Jeonju Digital Project 2004
2004 The World
2006 Dong
2006 Still Life
2007 Getting Home
2007 The Postmodern Life of My Aunt
2008 24 City
2008 Black Breakfast
2008 Useless
2009 Plastic City
2010 Dream Home
2010 I Wish I Knew
2011 Love and Bruises
2012 A Simple Life
2013 A Touch of Sin
2013 Forgetting to Know You
2013 Venice 70: Future Reloaded
2015 Mountains May Depart
2015 Smog Journeys
2016 The Hedonists
2017 Our Time Will Come
2017 Revive
2018 Ash Is Purest White
2019 The Bucket
2021 Swimming Out Till the Sea Turns Blue
2021 this body is so impermanent…
2023 The Best is Yet to Come
2024 Caught by the Tides
???? Heaven and Hell
???? Shanghai, I Love You
???? Wild Punch
Producer:
1996 Neon Goddesses
1997 Pickpocket
1999 Love Will Tear Us Apart
1999 Ordinary Heroes
2001 In Public
2001 Platform
2002 Unknown Pleasures
2003 All Tomorrow's Parties
2004 Dance Me to the End of Love
2004 Jeonju Digital Project 2004
2004 The World
2006 Dong
2006 Still Life
2007 Getting Home
2007 The Postmodern Life of My Aunt
2008 24 City
2008 Black Breakfast
2008 Useless
2009 Plastic City
2010 Dream Home
2010 I Wish I Knew
2011 Love and Bruises
2012 A Simple Life
2013 A Touch of Sin
2013 Forgetting to Know You
2013 Venice 70: Future Reloaded
2015 Mountains May Depart
2015 Smog Journeys
2016 The Hedonists
2017 Our Time Will Come
2017 Revive
2018 Ash Is Purest White
2019 The Bucket
2021 Swimming Out Till the Sea Turns Blue
2021 this body is so impermanent…
2023 The Best is Yet to Come
2024 Caught by the Tides
???? Heaven and Hell
???? Shanghai, I Love You
???? Wild Punch
Scenario Writer:
1996 Neon Goddesses
1997 Pickpocket
1999 Love Will Tear Us Apart
1999 Ordinary Heroes
2001 In Public
2001 Platform
2002 Unknown Pleasures
2003 All Tomorrow's Parties
2004 Dance Me to the End of Love
2004 Jeonju Digital Project 2004
2004 The World
2006 Dong
2006 Still Life
2007 Getting Home
2007 The Postmodern Life of My Aunt
2008 24 City
2008 Black Breakfast
2008 Useless
2009 Plastic City
2010 Dream Home
2010 I Wish I Knew
2011 Love and Bruises
2012 A Simple Life
2013 A Touch of Sin
2013 Forgetting to Know You
2013 Venice 70: Future Reloaded
2015 Mountains May Depart
2015 Smog Journeys
2016 The Hedonists
2017 Our Time Will Come
2017 Revive
2018 Ash Is Purest White
2019 The Bucket
2021 Swimming Out Till the Sea Turns Blue
2021 this body is so impermanent…
2023 The Best is Yet to Come
2024 Caught by the Tides
???? Heaven and Hell
???? Shanghai, I Love You
???? Wild Punch
Writer:
1996 Neon Goddesses
1997 Pickpocket
1999 Love Will Tear Us Apart
1999 Ordinary Heroes
2001 In Public
2001 Platform
2002 Unknown Pleasures
2003 All Tomorrow's Parties
2004 Dance Me to the End of Love
2004 Jeonju Digital Project 2004
2004 The World
2006 Dong
2006 Still Life
2007 Getting Home
2007 The Postmodern Life of My Aunt
2008 24 City
2008 Black Breakfast
2008 Useless
2009 Plastic City
2010 Dream Home
2010 I Wish I Knew
2011 Love and Bruises
2012 A Simple Life
2013 A Touch of Sin
2013 Forgetting to Know You
2013 Venice 70: Future Reloaded
2015 Mountains May Depart
2015 Smog Journeys
2016 The Hedonists
2017 Our Time Will Come
2017 Revive
2018 Ash Is Purest White
2019 The Bucket
2021 Swimming Out Till the Sea Turns Blue
2021 this body is so impermanent…
2023 The Best is Yet to Come
2024 Caught by the Tides
???? Heaven and Hell
???? Shanghai, I Love You
???? Wild Punch
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.