A work in constant progress (and occasional regress).
Máté Konkol is a director, producer and editor. While at university, he was an assistant to Crystal Globe winner director Szabolcs Hajdu on It’s Not the Time of My Life (2016), and Oscar winner László Nemes on Sunset (2018). He regularly writes on film industry and cultural politics. His latest short films are coming-of-age stories about seeking sexual and political identity, all this through the lens of gender and class consciousness: Budapest, Closed City (2021), then Reap What You Sow (2023). Books Are Our Weapons will be his first feature.
Cinematography:
2015 Böszörményi út
Director:
2014 Sárga csillagos kocsmák
2015 Böszörményi út
2016 Kikelet
2018 19 minutes, 56 seconds
2019 Vakáció
2021 Budapest, Closed City
2023 Boys on Film 23: Dangerous to Know
2023 Reap What You Sow
???? Books Are Our Weapons
Editor:
2014 Sárga csillagos kocsmák
2015 Böszörményi út
2016 Kikelet
2018 19 minutes, 56 seconds
2019 Vakáció
2021 Budapest, Closed City
2023 Boys on Film 23: Dangerous to Know
2023 Reap What You Sow
???? Books Are Our Weapons
???? Szállóige
Producer:
2014 Sárga csillagos kocsmák
2015 Böszörményi út
2016 Kikelet
2018 19 minutes, 56 seconds
2019 Vakáció
2021 Budapest, Closed City
2023 Boys on Film 23: Dangerous to Know
2023 Reap What You Sow
???? Books Are Our Weapons
???? Szállóige
Writer:
2014 Sárga csillagos kocsmák
2015 Böszörményi út
2016 Kikelet
2018 19 minutes, 56 seconds
2019 Vakáció
2021 Budapest, Closed City
2023 Boys on Film 23: Dangerous to Know
2023 Reap What You Sow
???? Books Are Our Weapons
???? Szállóige
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.