A work in constant progress (and occasional regress).
Alias:
Joseph Lejtes
Birthplace:
Warsaw, Russian Empire [now Poland]
Born:
November 22, 1901
Died:
May 27, 1983
Józef Lejtes was a Hungarian-born film director and screenwriter who made significant contributions to European and American cinema. He began his career in the Hungarian film industry in the 1920s, directing several notable films. Lejtes emigrated to the United States in the 1940s, where he continued his directing career. He directed episodes for television series such as Bonanza and Perry Mason. Lejtes's work was characterized by a strong visual style and a focus on character-driven narratives.
Director:
1932 Dzikie pola
1934 Young Forest
1935 The Day of the Great Adventure
1938 Kosciuszko at the Battle of Raclawice
1938 Sygnały
1947 My Father's House
1947 The Great Promise
1949 No Alternative
1952 The Faithful City
1967 Valley of Mystery
1968 The Counterfeit Killer
Screenplay:
1932 Dzikie pola
1934 Young Forest
1935 The Day of the Great Adventure
1938 Kosciuszko at the Battle of Raclawice
1938 Sygnały
1947 My Father's House
1947 The Great Promise
1949 No Alternative
1952 The Faithful City
1954 Passion
1967 Valley of Mystery
1968 The Counterfeit Killer
Story:
1932 Dzikie pola
1934 Young Forest
1935 The Day of the Great Adventure
1938 Kosciuszko at the Battle of Raclawice
1938 Sygnały
1947 My Father's House
1947 The Great Promise
1949 No Alternative
1952 The Faithful City
1954 Passion
1967 Valley of Mystery
1968 The Counterfeit Killer
Writer:
1932 Dzikie pola
1934 Young Forest
1935 The Day of the Great Adventure
1938 Kosciuszko at the Battle of Raclawice
1938 Sygnały
1947 My Father's House
1947 The Great Promise
1949 No Alternative
1952 The Faithful City
1954 Passion
1967 Valley of Mystery
1968 The Counterfeit Killer
Director:
1955 Alfred Hitchcock Presents
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.