A work in constant progress (and occasional regress).
Animation:
2024 Collecting Time
Assistant Editor:
2024 Collecting Time
2024 Creative Producer: The Unsung Hero of Greek Cinema
Camera Operator:
2024 Collecting Time
2024 Creative Producer: The Unsung Hero of Greek Cinema
Color Grading:
2024 Collecting Time
2024 Creative Producer: The Unsung Hero of Greek Cinema
Editor:
2013 Feeling Lucky?
2017 The After Life
2019 Astarte
2022 Bordo Mavi: The Inside Tale of Trabzonspor
2022 Curiouser
2022 Μη Άσματα
2023 Unicorns Do Exist
2024 Astoria
2024 Collecting Time
2024 Creative Producer: The Unsung Hero of Greek Cinema
2024 Journey To Life
Music Supervisor:
2013 Feeling Lucky?
2017 The After Life
2019 Astarte
2022 Bordo Mavi: The Inside Tale of Trabzonspor
2022 Curiouser
2022 Μη Άσματα
2023 Unicorns Do Exist
2024 Astoria
2024 Collecting Time
2024 Creative Producer: The Unsung Hero of Greek Cinema
2024 Journey To Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.