A work in constant progress (and occasional regress).
Birthplace:
Columbus, Ohio, USA
Born:
April 29, 1916
Died:
October 1, 1985
Foster Phinney dedicated much of his life to the motion picture business. Fresh out of high school, his suave and sophisticated appearance made it possible for him to break into the film business. He started appearing in scenes that required dress extras while still collecting an occasional paycheck as a soldier. Phinney faces an unusual problem, his elegant appearance made him an unlikely candidate to appear in the trenches in Hollywood's war time films but it enabled him to appear in socialite scenes that usually required much older men. This led him to garnering work as a stand-in in films in the 1940s and 1950s. By the time the 1950s rolled around, Phinney got his big break. He became the regular stand-in for Kirk Douglas. Douglas was so kind to him that Douglas considered him his good luck charm and gave him little roles in all of his films. While his work was steady, it was Douglas who got Phinney steady work as an assistant director. This began a second career where he worked as the assistant director on many shows including The Beverly Hillbillies where he had a character named after him. In the late 1970s, Phinney decided to retire leaving behind a multifaceted career which included being an extra, a bit part actor, an assistant director, and even a director.
Assistant Director:
1972 The Woman I Love
1973 Little Cigars
First Assistant Director:
1972 The Woman I Love
1973 Little Cigars
1977 The Death of Richie
Production Manager:
1972 The Woman I Love
1973 Little Cigars
1977 Opening Night
1977 The Death of Richie
Assistant Director:
1972 Banacek
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.