David Hammons

Birthplace:
Springfield, Illinois, USA

One of the most influential artists living and working in the United States, David Hammons makes art across mediums using strategies of refusal, humor, and provocation. Often centering his own experience as a Black American, over the past five decades, Hammons has addressed issues of race, class, art history, the legacy of slavery, and the experience of being an outsider. Born in 1943 in Springfield, Illinois, Hammons moved to Los Angeles in 1963 to study art. After stints at Los Angeles City College and the Los Angeles Trade and Technical College, he began taking night classes at Otis Art Institute with realist artist and activist Charles White. After relocating to New York in 1974, Hammons started his lifelong practice of making sculptures from the highly charged detritus of urban African American life, including hair gathered from barbershop floors, chicken bones, bottle caps, and empty liquor bottles. From landmark actions like his Bliz-aard Ball Sale (1983), in which Hammons sold snowballs of different sizes on a New York City sidewalk, to his most recent paintings whose surfaces are obscured by tarpaulins, burlap, or old furniture, such as Untitled, his work has contributed to an ongoing discussion about the role of the artist and the value of art in a world beyond the pampered precincts of the museum or gallery.

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Director:
1999  Phat Free
2018  Ted Joans: Exquisite Corpse

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.