A work in constant progress (and occasional regress).
Alias:
Yuuko Kamahara
蒲原 有子
Digital Compositor:
2013 Lupin the Third vs. Detective Conan: The Movie
2017 Case Closed: The Crimson Love Letter
2017 Detective Conan: Episode One - The Great Detective Turned Small
2018 Case Closed: Zero the Enforcer
2019 Case Closed: The Fist of Blue Sapphire
2021 Detective Conan: The Scarlet Bullet
2022 Detective Conan: The Bride of Halloween
2023 Detective Conan: Black Iron Submarine
Additional Photography:
2024 Love Is Indivisible by Twins
Compositing Artist:
2022 Case Closed: The Culprit Hanzawa
2022 KanColle: See You Again on Another Quiet Blue Sea
2024 Love Is Indivisible by Twins
Digital Compositor:
2022 Case Closed: The Culprit Hanzawa
2022 Case Closed: Zero's Tea Time
2022 KanColle: See You Again on Another Quiet Blue Sea
2024 Love Is Indivisible by Twins
Director of Photography:
2017 7O3X Fastest Finger First
2018 We Rent Tsukumogami
2020 Iwa Kakeru! Sport Climbing Girls
2022 Case Closed: The Culprit Hanzawa
2022 Case Closed: Zero's Tea Time
2022 KanColle: See You Again on Another Quiet Blue Sea
2024 Love Is Indivisible by Twins
2024 Rinkai!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.