A work in constant progress (and occasional regress).
Birthplace:
Gloucester, Massachusetts, United States
Ethan W. Olsen (aka Ethan WL) is a filmmaker and musician from Gloucester, Massachusetts. His works often explore the idea of place and its connection to one's personal history. In both film and music he favors long, contemplative pieces.
Director:
2019 Confluence
2019 LF/SH
2019 Rome
2020 Cicero
2020 Obelisk
2020 Observation 1
2020 Occupation
2020 Orpheus
2020 Pageant
2021 58 carats each
2021 Between the Green & White
2021 How old do you want to be when you die?
2022 Brattleboro
2022 Lost
2023 Queen City Blues
Music:
2018 Seven Short Films about Gloucester
2019 Confluence
2019 Home Away from Home: Education in Rural Nepal
2019 LF/SH
2019 Rome
2019 The Seventh Proof
2020 Cicero
2020 Obelisk
2020 Observation 1
2020 Occupation
2020 Orpheus
2020 Pageant
2020 Stories from the Joseph Smith Birthplace, Chapter One: Lights of Christmas and erecting the obelisk
2021 58 carats each
2021 Between the Green & White
2021 How old do you want to be when you die?
2022 Brattleboro
2022 Inventor Crazybrains and the Girl Called Bird
2022 Lost
2023 Queen City Blues
???? Neither Here Nor There
Sound:
2018 Seven Short Films about Gloucester
2019 Confluence
2019 Home Away from Home: Education in Rural Nepal
2019 LF/SH
2019 Rome
2019 The Seventh Proof
2020 Cicero
2020 Obelisk
2020 Observation 1
2020 Occupation
2020 Orpheus
2020 Pageant
2020 Stories from the Joseph Smith Birthplace, Chapter One: Lights of Christmas and erecting the obelisk
2020 Storm on Lake Pontchartrain
2021 58 carats each
2021 Between the Green & White
2021 How old do you want to be when you die?
2022 Brattleboro
2022 Inventor Crazybrains and the Girl Called Bird
2022 Lost
2023 Queen City Blues
???? Neither Here Nor There
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.