A work in constant progress (and occasional regress).
ADR Mixer:
2019 Crypto
Assistant Sound Editor:
2019 Crypto
2021 The United States vs. Billie Holiday
Dialogue Editor:
2017 Splitting Image
2017 Stalker's Prey
2019 Crypto
2021 The United States vs. Billie Holiday
Foley Artist:
2017 Splitting Image
2017 Stalker's Prey
2018 Wild Nights with Emily
2019 Crypto
2021 The United States vs. Billie Holiday
Mix Technician:
2017 Splitting Image
2017 Stalker's Prey
2018 Wild Nights with Emily
2019 Crypto
2020 Boys State
2021 The United States vs. Billie Holiday
Music Editor:
2017 Splitting Image
2017 Stalker's Prey
2018 Wild Nights with Emily
2019 Crypto
2020 Boys State
2021 The United States vs. Billie Holiday
2023 A Little Prayer
Recording Supervision:
2017 Splitting Image
2017 Stalker's Prey
2018 Wild Nights with Emily
2019 Crypto
2020 Boys State
2021 Swimsuit
2021 The United States vs. Billie Holiday
2023 A Little Prayer
Sound Designer:
2017 Splitting Image
2017 Stalker's Prey
2018 Wild Nights with Emily
2019 Crypto
2020 Boys State
2021 Swimsuit
2021 The United States vs. Billie Holiday
2023 A Little Prayer
Sound Editor:
2017 Splitting Image
2017 Stalker's Prey
2018 Welcome the Stranger
2018 Wild Nights with Emily
2019 Crypto
2020 Boys State
2021 Swimsuit
2021 The Militiaman
2021 The United States vs. Billie Holiday
2023 A Little Prayer
Sound Effects Editor:
2017 Splitting Image
2017 Stalker's Prey
2018 Welcome the Stranger
2018 Wild Nights with Emily
2019 Crypto
2020 Boys State
2021 Swimsuit
2021 The Militiaman
2021 The United States vs. Billie Holiday
2023 A Little Prayer
2023 No Hard Feelings
2024 Rob Peace
2024 Suncoast
Sound Mix Technician:
2017 Splitting Image
2017 Stalker's Prey
2018 Welcome the Stranger
2018 Wild Nights with Emily
2019 Crypto
2019 The Dead Don't Die
2020 Boys State
2021 Swimsuit
2021 The Militiaman
2021 The United States vs. Billie Holiday
2023 A Little Prayer
2023 No Hard Feelings
2024 Rob Peace
2024 Suncoast
Sound Re-Recording Mixer:
2017 Splitting Image
2017 Stalker's Prey
2018 Welcome the Stranger
2018 Wild Nights with Emily
2019 Crypto
2019 The Dead Don't Die
2020 Boys State
2021 Swimsuit
2021 The Militiaman
2021 The United States vs. Billie Holiday
2023 A Little Prayer
2023 Eric LaRue
2023 No Hard Feelings
2024 Rob Peace
2024 Suncoast
Supervising Sound Editor:
2017 Splitting Image
2017 Stalker's Prey
2018 Welcome the Stranger
2018 Wild Nights with Emily
2019 Crypto
2019 The Dead Don't Die
2020 Boys State
2021 Swimsuit
2021 The Militiaman
2021 The United States vs. Billie Holiday
2023 A Little Prayer
2023 Eric LaRue
2023 No Hard Feelings
2024 Rob Peace
2024 Suncoast
Thanks:
2017 Splitting Image
2017 Stalker's Prey
2018 After Her
2018 Welcome the Stranger
2018 Wild Nights with Emily
2019 Crypto
2019 The Dead Don't Die
2020 Boys State
2021 Swimsuit
2021 The Militiaman
2021 The United States vs. Billie Holiday
2023 A Little Prayer
2023 Eric LaRue
2023 No Hard Feelings
2024 Rob Peace
2024 Suncoast
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.