A work in constant progress (and occasional regress).
Benjamin Deboosere makes sociopolitical work with a playful approach. Their films are marked by a singular aesthetic and a surrealist touch. Deboosere’s debut feature premiered in Bright Future at International Film Festival Rotterdam 2023 (IFFR). Their work has screened at various international film festivals as Tallinn Black Nights (BNFF), Vancouver Queer Film Festival, Africadoc Bénin, Olhar de Cinema, Kyiv Molodist, Brussels Art Film Festival, FebioFest Bratislava, Bucharest International Experimental Film Festival, Queer Lisboa among others. Their first fiction short Of Not Such Great Importance won the Kryzstof Szot Award at the Lublin Film Festival 2019, the Jury and Audience Award at Ongezien Kort 2020 & Best Short Film Award at Working Title Film Festival 2020. Benjamin Deboosere was part of the 2024 Berlinale Talents. They are now developing their second fiction feature ‘The Decapitation of Ousmane Sembene by the French Commission for Classification of Cinematography’.
Director:
2019 Of Not Such Great Importance
2021 Some Things Are Hard to Say
2023 The Life and Strange Surprising Adventures of Robinson Crusoe Who Lived for Twenty and Eight Years All Alone on an Inhabited Island and Said It Was His
Editor:
2019 In the Hands of Puppets
2019 Of Not Such Great Importance
2021 Some Things Are Hard to Say
2023 The Life and Strange Surprising Adventures of Robinson Crusoe Who Lived for Twenty and Eight Years All Alone on an Inhabited Island and Said It Was His
Writer:
2019 In the Hands of Puppets
2019 Of Not Such Great Importance
2021 Some Things Are Hard to Say
2023 The Life and Strange Surprising Adventures of Robinson Crusoe Who Lived for Twenty and Eight Years All Alone on an Inhabited Island and Said It Was His
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.