A work in constant progress (and occasional regress).
Birthplace:
Santa Cruz, California, USA
Born and raised in the Santa Cruz area of California, Stephen began making LEGO stop-motion films around the age of eleven. Throughout junior high and high school, he continued to build his skill set, learning professional editing software such as Apple Final Cut Pro, Adobe After Effects, and Blender 3D. Stephen also learned a great deal about documentary filmmaking while documenting his high school youth group's annual disaster relief trips. During junior college, Stephen collaborated with several friends to help build a YouTube channel called Action Studios (formerly Tri-Hards), primarily working as a cinematographer and visual effects supervisor. In 2016, Stephen was accepted into the Film and Television Production program at the University of Southern California, where he continued to build his network and portfolio working on many student productions. Since graduation, Stephen has lived in the Los Angeles area, and works as a render and stage technician on the Avatar sequels in Manhattan Beach. He also works as a freelance visual effects supervisor and artist.
Editor:
2018 Summon a Fiend
Grip:
2018 A Cake For Lizzie
2018 Summon a Fiend
Visual Effects:
2018 A Cake For Lizzie
2018 Summon a Fiend
2020 12 Days of Christmas
2020 Sympatico
2021 Are You Still There?
2021 Clothesline
2021 Space Waves
2023 Jeremy
Visual Effects Art Director:
2018 A Cake For Lizzie
2018 Summon a Fiend
2020 12 Days of Christmas
2020 Survival Skills
2020 Sympatico
2021 Are You Still There?
2021 Clothesline
2021 Space Waves
2023 Jeremy
Visual Effects Supervisor:
2018 A Cake For Lizzie
2018 Summon a Fiend
2019 Boléro
2020 12 Days of Christmas
2020 Survival Skills
2020 Sympatico
2021 Are You Still There?
2021 Clothesline
2021 Space Waves
2023 Jeremy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.