Christian Jessup (b. 1996)

Birthplace:
Charlotte, North Carolina, USA

Born:
January 19, 1996

Christian Jessup is an award-winning film composer. A graduate of Gardner-Webb University, Jessup has earned numerous accolades for his films and research, as well as an internship at Hans Zimmer’s Remote Control Productions in 2017. Jessup’s directorial debut, The Dancin’ Bulldogs, was a critical success, earning five awards, including Best Original Score at the Indie Eye Film Awards. His award-winning follow-up, My Great Great Great Uncle Built Churches, further showcased his talent in both directing and composing. He has also composed for other notable films such as The Legend of King Kong and Sweaty, and is an executive producer for Anecdotal Pictures, LLC.

Additional information:

The Search Form


Director:
2022  My Great Great Great Uncle Built Churches

Editor:
2022  My Great Great Great Uncle Built Churches

Editorial Consultant:
2021  Freedom Is Fake
2022  My Great Great Great Uncle Built Churches

Music:
2016  A New Score
2017  Galapagos Suite
2017  Whose Dominion?
2018  A New Score Strikes Back
2021  Be Legendary: A Devin Booker Documentary
2021  Freedom Is Fake
2021  From the Concrete
2021  Most Hated: How Kevin Durant Became the NBA’s Villain
2021  The Called
2022  My Great Great Great Uncle Built Churches
2022  Sweaty
2022  The Book of Kobe Bryant
2022  The King of South Beach
2023  Pomegranate
2024  Mouseshrooms
2024  The Bust
2024  The Final Apostle
2025  Rosa’s Dilemma

Music Score Producer:
2016  A New Score
2017  Galapagos Suite
2017  Whose Dominion?
2018  A New Score Strikes Back
2021  Be Legendary: A Devin Booker Documentary
2021  Freedom Is Fake
2021  From the Concrete
2021  Most Hated: How Kevin Durant Became the NBA’s Villain
2021  The Called
2022  My Great Great Great Uncle Built Churches
2022  Sweaty
2022  The Book of Kobe Bryant
2022  The King of South Beach
2023  Pomegranate
2024  Mouseshrooms
2024  The Bust
2024  The Final Apostle
2024  The Life & Times of Kobe Bryant
2025  Rosa’s Dilemma

Producer:
2016  A New Score
2017  Galapagos Suite
2017  Whose Dominion?
2018  A New Score Strikes Back
2021  Be Legendary: A Devin Booker Documentary
2021  Freedom Is Fake
2021  From the Concrete
2021  Most Hated: How Kevin Durant Became the NBA’s Villain
2021  The Called
2022  My Great Great Great Uncle Built Churches
2022  Sweaty
2022  The Book of Kobe Bryant
2022  The King of South Beach
2023  Pomegranate
2024  Mouseshrooms
2024  The Bust
2024  The Final Apostle
2024  The Life & Times of Kobe Bryant
2025  Rosa’s Dilemma

Sound Designer:
2016  A New Score
2017  Galapagos Suite
2017  Whose Dominion?
2018  A New Score Strikes Back
2021  Be Legendary: A Devin Booker Documentary
2021  Freedom Is Fake
2021  From the Concrete
2021  Most Hated: How Kevin Durant Became the NBA’s Villain
2021  The Called
2022  My Great Great Great Uncle Built Churches
2022  Sweaty
2022  The Book of Kobe Bryant
2022  The King of South Beach
2023  Pomegranate
2024  Mouseshrooms
2024  The Bust
2024  The Final Apostle
2024  The Life & Times of Kobe Bryant
2025  Rosa’s Dilemma

Sound Editor:
2016  A New Score
2017  Galapagos Suite
2017  Whose Dominion?
2018  A New Score Strikes Back
2021  Be Legendary: A Devin Booker Documentary
2021  Freedom Is Fake
2021  From the Concrete
2021  Most Hated: How Kevin Durant Became the NBA’s Villain
2021  The Called
2022  My Great Great Great Uncle Built Churches
2022  Sweaty
2022  The Book of Kobe Bryant
2022  The King of South Beach
2023  Pomegranate
2024  Mouseshrooms
2024  The Bust
2024  The Final Apostle
2024  The Life & Times of Kobe Bryant
2025  Rosa’s Dilemma

Sound Mixer:
2016  A New Score
2017  Galapagos Suite
2017  Whose Dominion?
2018  A New Score Strikes Back
2021  Be Legendary: A Devin Booker Documentary
2021  Freedom Is Fake
2021  From the Concrete
2021  Most Hated: How Kevin Durant Became the NBA’s Villain
2021  The Called
2022  My Great Great Great Uncle Built Churches
2022  Sweaty
2022  The Book of Kobe Bryant
2022  The King of South Beach
2023  Pomegranate
2024  Mouseshrooms
2024  The Bust
2024  The Final Apostle
2024  The Life & Times of Kobe Bryant
2025  Rosa’s Dilemma

Writer:
2016  A New Score
2017  Galapagos Suite
2017  Whose Dominion?
2018  A New Score Strikes Back
2021  Be Legendary: A Devin Booker Documentary
2021  Freedom Is Fake
2021  From the Concrete
2021  Most Hated: How Kevin Durant Became the NBA’s Villain
2021  The Called
2022  My Great Great Great Uncle Built Churches
2022  Sweaty
2022  The Book of Kobe Bryant
2022  The King of South Beach
2023  Pomegranate
2024  Mouseshrooms
2024  The Bust
2024  The Final Apostle
2024  The Life & Times of Kobe Bryant
2025  Rosa’s Dilemma

Editorial Consultant:
2022  The Legend of King Kong

Music:
2022  The Legend of King Kong

Producer:
2022  The Legend of King Kong

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.