Drew Walkup

Drew Walkup grew up in the California Bay Area awash in sand and sun. His passion for filmmaking stemmed from a love for acting and an unending thirst for learning. Stepping behind the camera, Drew took to studying many roles including editing, cinematography and screenwriting. Between his background in acting and aptitude for leadership, directing came naturally.  After graduating from USC’s School of Cinematic Arts as an award-winning short film director, Drew focused on career roles in post-production all while keeping his creative ambitions alive. In 2010, he moved to Rome with a camera, microphone and working knowledge of Italian. By the end of his stay he was near-fluent, had made lifelong friends, and had a short film in the can.  Not long after returning from Italy, Drew found himself thrust into management. His background in professional production and his creative proclivity landed him a role at Maker Studios, at the time a 100-employee startup navigating the digital industry. Drew later ended up on the front lines of Disney’s acquisition of Maker – developing, producing and directing multi-faceted branded entertainment campaigns for Marvel, Lucasfilm and more.  Drew’s entrepreneurial spirit then took him to Florida to build REBL HQ, a studio developed in collaboration with Full Sail University. He infused the studio with philosophy learned in his brush with Disney – focus on content, make it the best it can be. The culmination of this experience resulted in Fox Hunt Drive, Drew’s feature film directorial debut.

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Director:
2022  Endangered

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.