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Piyush Mishra (b. 1992)

Birthplace:
INDIA

Born:
January 2, 1992

Biography from TheMovieDB

From being a poet to a writer to a filmmaker, his journey to filmmaking has been quite interesting. Since childhood, he had this knack of imagining something different in a story, words used to be thrown at him from a random story-teller and the innocent child sitting inside him, used to smile and create an alternate ending to the story. From there on, he had a desire to make his kind of stories and that's when he started writing poems and then short stories and then short films.10 short films and 2 documentaries later, the innocent child is still craving to narrate more stories, with an idea of depicting thought-provoking and narrative bending cinema. He is a Marketing Manager by profession, but a house full of ideas by design"

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Additional information:

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Film Production

Director:
2019  The Lullaby
2020  A Silent Echo
2021  Adagio...
2022  Kinaara

Writer:
2019  The Lullaby
2020  A Silent Echo
2021  Adagio...
2021  Ashes to Idols
2022  Kinaara

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.