A work in constant progress (and occasional regress).
Alias:
Santa Esmeralda
Birthplace:
Wareham, Massachusetts, USA
Born:
July 8, 1950
Leroy Gómez is an American singer-songwriter, best known for his work with 1970s disco and latin music act Santa Esmeralda. Leroy Gómez was born July 8, 1950 in Wareham, Massachusetts, of Cape Verdean descent. After learning how to sing and play the saxophone, Gómez started his own band at 14, and later joined Tavares, a local group of brothers who shared his Cape Verdean heritage, and with whom he would go on to tour in North America and Europe. In Paris, Elton John invited him to play the sax on Social Disease, a song on his 1973 classic album Goodbye Yellow Brick Road. Amidst this success, Gómez decided to leave his band "Tavares" and remain in Europe, getting work as a session player in Paris. In Paris he met Nicolas Skorsky and Jean Manuel de Scarano, songwriters who had launched their own label with the aim of producing artists who would record their compositions. Santa Esmeralda was born of their collaboration, and the album Don't Let Me Be Misunderstood, with Gómez on lead vocals, debuted on the independent French label, Fauves Puma. A sudden huge success in Europe, the record was picked up for worldwide distribution by Casablanca Records of Los Angeles, the preeminent label of the Disco era. Essentially a studio act, Gómez was eager to perform, and a touring group was put together including a troupe of dancers, one of whom, by the name of Tequila, would appear on several album and single cover photos and ultimately become his wife. Leroy Gómez left "Santa Esmeralda" in early 1978 to go as a solo artist and so recorded 2 solo albums: Gypsy Woman (Casablanca Records, 1978) and I Got It Bad (Casablanca, 1979). Source: Article "Leroy Gómez" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.