A work in constant progress (and occasional regress).
Alias:
Giovanni Paolo Benassi
Assistant Editor:
1986 The Venetian Woman
1991 Il conte Max
1992 Ricky & Barabba
Colorist:
1986 The Venetian Woman
1991 Il conte Max
1992 Ricky & Barabba
2006 AD Project
Editor:
1986 The Venetian Woman
1989 12 Directors for 12 Cities
1991 Il conte Max
1992 Ricky & Barabba
1996 3
1997 In barca a vela contromano
1998 Dio c'è
1998 Simpatici & antipatici
1999 La Donna del Treno
2000 The Shadow of the Giant
2000 Uninvited
2002 Riconciliati
2004 Promessa d'amore
2005 Too Beautiful
2006 AD Project
First Assistant Editor:
1986 The Venetian Woman
1989 12 Directors for 12 Cities
1991 Faccione
1991 Il conte Max
1992 Ricky & Barabba
1996 3
1997 In barca a vela contromano
1998 Dio c'è
1998 Simpatici & antipatici
1999 La Donna del Treno
2000 The Shadow of the Giant
2000 Uninvited
2002 Riconciliati
2004 Promessa d'amore
2005 Too Beautiful
2006 AD Project
Post Production Supervisor:
1986 The Venetian Woman
1989 12 Directors for 12 Cities
1991 Faccione
1991 Il conte Max
1992 Ricky & Barabba
1996 3
1997 In barca a vela contromano
1998 Dio c'è
1998 Simpatici & antipatici
1999 La Donna del Treno
2000 The Shadow of the Giant
2000 Uninvited
2002 Riconciliati
2004 Promessa d'amore
2005 Too Beautiful
2006 AD Project
Production Design:
1986 The Venetian Woman
1989 12 Directors for 12 Cities
1991 Faccione
1991 Il conte Max
1992 Ricky & Barabba
1996 3
1997 In barca a vela contromano
1997 The Fourth King
1998 Dio c'è
1998 Simpatici & antipatici
1999 La Donna del Treno
2000 The Shadow of the Giant
2000 Uninvited
2002 Riconciliati
2004 Promessa d'amore
2005 Too Beautiful
2006 AD Project
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.