A work in constant progress (and occasional regress).
She holds a Master's degree in Documentary Film and a Bachelor's degree in Communication Sciences from UNAM. She is the director and co-writer of the documentary short film "Refugio" (2022), supported by PROCINE and selected by various national and international festivals such as Shorts México, DOCUQMENTA, and FESTMyD in Chile. She is the writer and director of the documentary feature film "Concierto para necios" (2018), which was selected in the call for Post-Production Support for Feature Films in Mexico City by PROCINEDF, as well as in the Film Festivals Against Silence All Voices, León International Film Festival, FENACIR International Film Festival, the XVIII International Showcase of Women in Cinema and Television, and the Contemporary Mexican Cinema Cycle in China. She has worked as a filmmaker, screenwriter, and editor at TV UNAM. She has also worked in productions for the Directorate General of Educational Television and in independent productions as a producer, filmmaker, editor, and sound engineer. She was the line producer and sound engineer for the documentary series "Retrato de una adicción" by Matruska Films, as well as sound engineer and fixer for "Cocina migrante" by Los Perros Románticos, both productions for Canal 14. She is the co-producer, co-editor, and sound engineer of the documentary feature film "Ahora que estamos juntas." She is currently the co-director of Bandada Films, a production company specializing in documentaries and audiovisual content with a social focus, gender perspective, and human rights emphasis.
Director:
2023 Refuge
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Editor:
2023 Refuge
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Screenplay:
2023 Refuge
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.