A work in constant progress (and occasional regress).
Born in Damascus in 1958. He worked in the General Cinema Corporation in 1976 as a montage assistant, and has edited dozens of feature films and short films from 1976 until 1991. Joined the Artists Syndicate in 1987. Some of his feature films as Assistant Editor and Editor Assistant are: Oral letters, nights jackals, dreams of the city, night, daylight stars, the sun on a cloudy day. After that, he moved to work as a major comister in dozens of short films, and 63 feature films long between the Public Corporation for Cinema and the private sector films, and from these films was the first major comuter "Ah Ya Bahr" directed by Muhammad Shaheen, (The Rise of the Rain), (Breeze of the Spirit) ), (Qumran and Zaitouna), (Farah Al-Khamis), (What the listeners ask), (Out of Coverage), (Days of Boredom), all directed by Abdel Latif Abdel Hamid, (Damascus, Basma Al-Sadn) directed by Maher Kido, (Seven minutes to Midnight (directed by Walid Huraib, (under the ceiling) directed by Nidal Al-Debs, (again) directed by Jood Saeed, (ID) and (Al-Sheraa and Al-Asifa) directed by Ghassan Shamit, (Guardians of the Deaf) C) Directed by Samir Zekry. Montage has produced about 17 feature films for the private sector. And about 150 short narratives and documentaries. He won the "Best Editing" award for "Breeze of the Soul" at the first Arab Cinema Festival in Bahrain. He has undergone several montage courses on most of the major montage platforms in London, France, and within Dubai Media City. The Artists Syndicate honored him for all his works in 2002. He has produced and is still producing a large number of films for the Young Cinema Support Project.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.