A work in constant progress (and occasional regress).
Birthplace:
Nyons, Drôme, France
Born:
January 24, 1911
Died:
November 24, 1985
René Barjavel (24 January 1911 – 24 November 1985) was a French author, journalist and critic who may have been the first to think of the grandfather paradox in time travel. He was born in Nyons, a town in the Drôme department in southeastern France. He is best known as a science fiction author, whose work often involved the fall of civilisation due to technocratic hubris and the madness of war, but who also favoured themes emphasising the durability of love. René Barjavel wrote several novels with these themes, such as Ravage (translated as Ashes, ashes), Le Grand Secret, La Nuit des temps (translated as The Ice People), and Une rose au paradis. His writing is poetic, dreamy and sometimes philosophical. Some of his works have their roots in an empirical and poetic questioning of the existence of God (notably La Faim du tigre). He was also interested in the environmental heritage which we leave to future generations. Whilst his works are rarely taught in French schools, his books are very popular in France. Barjavel wrote Le Voyageur imprudent (1943), the first novel to present the famous Grandfather paradox of time travel: if one goes backwards in time and kills one of their ancestors before he had children, the traveller cannot exist and therefore cannot kill the ancestor. Barjavel died in 1985 and was buried with his ancestors in Tarendol (commune) cemetery, opposite Mount Ventoux in Provence. He used these place names in his books; Mount Ventoux appears as the site of the space base in Colomb de la lune, for example, and Tarendol is the name of the hero in the eponymous novel. Source: Article "René Barjavel" from Wikipedia in English, licensed under CC-BY-SA.
Adaptation:
1956 The Terror with Women
1963 Highway Pick-Up
Dialogue:
1956 The Terror with Women
1957 The Man in the Raincoat
1962 The Devil and the Ten Commandments
1963 Highway Pick-Up
1966 How I Learned to Love Women
Novel:
1956 The Terror with Women
1957 The Man in the Raincoat
1962 The Devil and the Ten Commandments
1963 Highway Pick-Up
1966 How I Learned to Love Women
1969 Katmandu
Scenario Writer:
1955 The Ragpickers of Emmaus
1956 The Terror with Women
1957 The Man in the Raincoat
1962 The Devil and the Ten Commandments
1963 Highway Pick-Up
1966 How I Learned to Love Women
1969 Katmandu
Screenplay:
1952 The Little World of Don Camillo
1953 The Return of Don Camillo
1955 The Ragpickers of Emmaus
1956 The Terror with Women
1957 The Case of Dr. Laurent
1957 The Man in the Raincoat
1958 Love on the Riviera
1958 Toto in Paris
1959 An Angel on Wheels
1962 The Devil and the Ten Commandments
1963 Highway Pick-Up
1966 How I Learned to Love Women
1969 Katmandu
Story:
1952 The Little World of Don Camillo
1953 The Return of Don Camillo
1955 The Ragpickers of Emmaus
1956 The Terror with Women
1957 The Case of Dr. Laurent
1957 The Man in the Raincoat
1958 Love on the Riviera
1958 Toto in Paris
1959 An Angel on Wheels
1962 The Devil and the Ten Commandments
1963 Highway Pick-Up
1966 How I Learned to Love Women
1969 Katmandu
Writer:
1947 Télévision, œil de demain
1952 The Little World of Don Camillo
1953 The Return of Don Camillo
1954 Nuits andalouses
1954 Strange Desire of Mr. Bard
1955 The Ragpickers of Emmaus
1956 Bold Adventure
1956 Goubbiah and the Gipsy Girl
1956 The Terror with Women
1957 The Case of Dr. Laurent
1957 The Man in the Raincoat
1958 Les Misérables
1958 Love on the Riviera
1958 Toto in Paris
1959 An Angel on Wheels
1960 The High Life
1962 The Devil and the Ten Commandments
1963 Highway Pick-Up
1966 How I Learned to Love Women
1969 Katmandu
1989 Le Grand Secret
Author:
1989 Le Grand Secret
Creator:
1980 Tarendol
1989 Le Grand Secret
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.