A work in constant progress (and occasional regress).
Additional Camera:
2021 Fucking with Nobody
Costume Design:
2014 Mercy All the Way
2017 Thick Lashes of Lauri Mäntyvaara
2021 Fucking with Nobody
Director:
2014 Mercy All the Way
2017 Thick Lashes of Lauri Mäntyvaara
2021 Fucking with Nobody
2021 Is This What This Is?
Director of Photography:
2014 Mercy All the Way
2017 Thick Lashes of Lauri Mäntyvaara
2018 Metatitanic
2021 Fucking with Nobody
2021 Is This What This Is?
Wardrobe Assistant:
2013 August Fools
2014 Mercy All the Way
2017 Thick Lashes of Lauri Mäntyvaara
2018 Metatitanic
2021 Fucking with Nobody
2021 Is This What This Is?
Writer:
2013 August Fools
2014 Mercy All the Way
2017 Thick Lashes of Lauri Mäntyvaara
2018 Metatitanic
2018 Untitled
2019 Carnival of Sl*ts
2019 Ho-Gun Ass-Ass Inn: The Salmon of Death
2021 Fucking with Nobody
2021 Is This What This Is?
2023 The Haunted Movie Collection Chapter II
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.