A work in constant progress (and occasional regress).
Birthplace:
Antwerpen, Flanders, Belgium
Born:
January 1, 1942
Director:
1968 Little Red Riding Hood and the Time Bomb
1968 S.O.S. Fonske
1971 Dood van een sandwichman
1974 Big Crowd, Few People
1977 Burned Bridges
1977 Gejaagd door de winst (of het A.B.C. van de moderne samenleving)
1979 De Proefkonijnen
1987 Skin
1998 S.
2006 King of the World
Editor:
1968 De geboorte en dood van Dirk Vandersteen jr.
1968 Little Red Riding Hood and the Time Bomb
1968 S.O.S. Fonske
1971 Dood van een sandwichman
1973 Camera Sutra (or the Pale Faces)
1973 Home Sweet Home
1974 Big Crowd, Few People
1977 Burned Bridges
1977 Gejaagd door de winst (of het A.B.C. van de moderne samenleving)
1979 De Proefkonijnen
1987 Skin
1998 S.
2006 King of the World
Scenario Writer:
1968 De geboorte en dood van Dirk Vandersteen jr.
1968 Little Red Riding Hood and the Time Bomb
1968 S.O.S. Fonske
1971 Dood van een sandwichman
1973 Camera Sutra (or the Pale Faces)
1973 Home Sweet Home
1974 Big Crowd, Few People
1977 Burned Bridges
1977 Gejaagd door de winst (of het A.B.C. van de moderne samenleving)
1979 De Proefkonijnen
1987 Skin
1998 S.
2006 King of the World
Writer:
1968 De geboorte en dood van Dirk Vandersteen jr.
1968 Little Red Riding Hood and the Time Bomb
1968 S.O.S. Fonske
1971 Dood van een sandwichman
1973 Camera Sutra (or the Pale Faces)
1973 Home Sweet Home
1974 Big Crowd, Few People
1977 Burned Bridges
1977 Gejaagd door de winst (of het A.B.C. van de moderne samenleving)
1979 De Proefkonijnen
1987 Skin
1998 S.
2006 King of the World
Creator:
2007 Koning van de Wereld
Director:
1993 Moeder, waarom leven wij?
2007 Koning van de Wereld
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.