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Austin Kimmell (b. 1998)

Birthplace:
Massachusetts, USA

Born:
January 21, 1998

Biography from TheMovieDB

Austin Kimmell is an exceedingly-handsome filmmaker, animator and cartoonist, based in Massachusetts.  He has written and directed a number of award-winning independent films, such as Dracula, The Literal Moron (2022) and Put a Stick in It (2020), one of the inaugural winners of the Vanishing Angle Post Grant. His films have screened at Animation Block Party, Boston Underground, Malt Adult, Channel 101, the Oscar-qualifying Athens International Festival of Film & Video, and has been highlighted on Newgrounds, Film Shortage and The Arts Fuse. He’s also worked for clients like MIT, The LEGO Group, The American Bystander and for Nickelodeon on SpongeBob SquarePants. Austin currently resides outside of Boston, working as a designer and educator when he isn't making stupid-ass cartoons.

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Additional information:

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Film Performances

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Film Production

Animation:
2017  Critiqué
2017  Trapper Keeper
2018  Rite of Passage
2019  Gotcha!
2020  Put a Stick in It
2022  The Adventures of Dracula, the Literal Moron
????  Mooch
????  Stranger Danger

Associate Producer:
2017  Critiqué
2017  Trapper Keeper
2018  Rite of Passage
2019  Gotcha!
2020  Put a Stick in It
2022  The Adventures of Dracula, the Literal Moron
2022  Treasure of The Ninja II: Rise of the Ultra Ninja
????  Mooch
????  Stranger Danger

Director:
2017  Critiqué
2017  Trapper Keeper
2018  Rite of Passage
2018  Rogue's Gallery
2019  Gotcha!
2020  Put a Stick in It
2022  The Adventures of Dracula, the Literal Moron
2022  Treasure of The Ninja II: Rise of the Ultra Ninja
????  Mooch
????  Stranger Danger

Director of Photography:
2017  Critiqué
2017  Trapper Keeper
2018  Rite of Passage
2018  Rogue's Gallery
2019  Gotcha!
2020  Put a Stick in It
2022  The Adventures of Dracula, the Literal Moron
2022  Treasure of The Ninja II: Rise of the Ultra Ninja
????  Mooch
????  Stranger Danger

Editor:
2017  Critiqué
2017  Trapper Keeper
2018  Rite of Passage
2018  Rogue's Gallery
2019  Gotcha!
2020  Put a Stick in It
2022  The Adventures of Dracula, the Literal Moron
2022  Treasure of The Ninja II: Rise of the Ultra Ninja
????  Mooch
????  Stranger Danger

Executive Producer:
2017  Critiqué
2017  Trapper Keeper
2018  Rite of Passage
2018  Rogue's Gallery
2019  Gotcha!
2020  Put a Stick in It
2022  The Adventures of Dracula, the Literal Moron
2022  Treasure of The Ninja II: Rise of the Ultra Ninja
????  Mooch
????  Stranger Danger

Producer:
2017  Critiqué
2017  Trapper Keeper
2018  Rite of Passage
2018  Rogue's Gallery
2019  Gotcha!
2020  Put a Stick in It
2022  The Adventures of Dracula, the Literal Moron
2022  Treasure of The Ninja II: Rise of the Ultra Ninja
????  Mooch
????  Stranger Danger

Storyboard Artist:
2017  Critiqué
2017  Trapper Keeper
2018  Rite of Passage
2018  Rogue's Gallery
2019  Gotcha!
2020  Put a Stick in It
2022  The Adventures of Dracula, the Literal Moron
2022  Treasure of The Ninja II: Rise of the Ultra Ninja
????  Mooch
????  Stranger Danger

Writer:
2017  Critiqué
2017  Trapper Keeper
2018  Rite of Passage
2018  Rogue's Gallery
2019  Gotcha!
2020  Put a Stick in It
2022  The Adventures of Dracula, the Literal Moron
2022  Treasure of The Ninja II: Rise of the Ultra Ninja
????  Mooch
????  Stranger Danger

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.