A work in constant progress (and occasional regress).
Dialogue Editor:
2023 The Trial
Sound:
2019 Vejeces
2020 Gardeliana
2021 Borderline
2023 The Trial
2024 Hasta que la muerte nos separe
Sound Designer:
2019 Vejeces
2020 Gardeliana
2021 Borderline
2023 The Trial
2024 Days of Rain
2024 Hasta que la muerte nos separe
Sound Director:
2018 1002
2019 Vejeces
2020 Gardeliana
2021 Borderline
2023 The Trial
2024 Days of Rain
2024 Hasta que la muerte nos separe
Sound Editor:
2018 1002
2019 To Live to Sing
2019 Vejeces
2020 Gardeliana
2021 Borderline
2023 The Trial
2024 Days of Rain
2024 Hasta que la muerte nos separe
Sound Effects:
2018 1002
2019 To Live to Sing
2019 Vejeces
2020 Gardeliana
2021 Borderline
2023 The Trial
2024 Days of Rain
2024 Goyo
2024 Hasta que la muerte nos separe
Sound Effects Editor:
2018 1002
2019 To Live to Sing
2019 Vejeces
2020 Gardeliana
2020 Notes for My Son
2020 So Much Love to Give
2021 A School in Cerro Hueso
2021 Borderline
2022 Dating Hell
2022 The Exorcism of God
2023 Norma
2023 The Trial
2024 Days of Rain
2024 Goyo
2024 Hasta que la muerte nos separe
Sound Mix Technician:
2018 1002
2019 To Live to Sing
2019 Vejeces
2020 Gardeliana
2020 Notes for My Son
2020 So Much Love to Give
2021 A School in Cerro Hueso
2021 Borderline
2022 Dating Hell
2022 The Exorcism of God
2023 Norma
2023 The Trial
2024 Days of Rain
2024 Goyo
2024 Hasta que la muerte nos separe
Sound Mixer:
2017 Memoria interna
2018 1002
2019 To Live to Sing
2019 Vejeces
2020 Gardeliana
2020 Notes for My Son
2020 So Much Love to Give
2021 A School in Cerro Hueso
2021 Borderline
2022 Dating Hell
2022 The Exorcism of God
2023 Norma
2023 The Trial
2024 Days of Rain
2024 Goyo
2024 Hasta que la muerte nos separe
Sound Post Supervisor:
2017 Memoria interna
2018 1002
2019 To Live to Sing
2019 Vejeces
2020 Gardeliana
2020 Notes for My Son
2020 So Much Love to Give
2021 A School in Cerro Hueso
2021 Borderline
2022 Dating Hell
2022 The Exorcism of God
2023 Norma
2023 The Trial
2024 Days of Rain
2024 Goyo
2024 Hasta que la muerte nos separe
Foley Recordist:
2019 Monzón: A Knockout Blow
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.