A work in constant progress (and occasional regress).
Alias:
Cristián Daniel Stambuk Sandoval
Koko
Birthplace:
Osorno, Chile
Born:
March 16, 1977
Chilean singer, songwriter and producer, known for producing Kudai, Supernova and Stereo 3 in collaboration with Cristián Heyne. At the end of 2009 he released his first solo album, Valiente. He was also the leader of the band Glup! His duo with Cristián Heyne, in Packman, allowed the conceptualization and development of the vocal trios Supernova and Stereo 3 (both shared in the tasks of composition and production), with the first one they achieved a nomination to the Latin Grammy Awards 2002 for best pop album by duo or group; as well as the group Gufi. The commercial success of both projects assured him future commissions that have not stopped until today, in which Stambuk acts as a general conceptualizer of sound and, sometimes, image. Starting in 2006, and in parallel to his theater studies, Stambuk worked on Frijoles, the first Chilean experiment in what was defined as a "fiction group", and which anonymously integrated the work of Stambuk, Luis Tata Bigorra (ex Los Tetas) and Chico Claudio. Frijoles presented that year the album Elefantes volviendo a casa, in which Frijoles was once again in charge of preparing the electronic bases and playing several instruments. In 2013, he is producer and composer of the CD of the Mexican singer Maite Perroni titled "Eclipse de Luna", which has some of his participation in it as with the song "Ojos Divinos". He also had a sentimental relationship with the singer since he started producing her album, which lasted seven years. During the same period, he directed two film projects starring Perroni.
Director:
2019 Double Pregnant
2022 Double Pregnant 2
2022 The Eighth Clause
Executive Producer:
2019 Double Pregnant
2022 Double Pregnant 2
2022 The Eighth Clause
Screenplay:
2019 Double Pregnant
2022 Double Pregnant 2
2022 The Eighth Clause
Original Music Composer:
2007 Raspando la olla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.