A work in constant progress (and occasional regress).
Alias:
César Cienfuegos
César Henrique Zamudio de Souza
César Henrique de Souza Zamudio
Birthplace:
São Paulo, Brazil
Born:
February 6, 1991
César Cienfuegos began making fiction and documentary short films under the influence of Pedro Costa and Glauber Rocha, then he coordinated filmmaking in the circle of film studies with the University of Lima, until 2019 when he participated in a national contest and traveled to the jungle Amazonian for an experiential cinema workshop with the Amazonian Film School, at the end she co-created a documentary story of a healer with the support of Alexander del Pueblo - Shipibo and with Doña Lichi, who gives the title to the work and is a Kukama descendant. kukamiria, also co-founds the Bishu Cine Cultural Association, inspired by the Ambulante Más Allá film school, which is dedicated to facilitating the making of cinematographic works even in the most vulnerable towns. The film Reminiscencia was written and directed by Cienfuegos César in 2018, part of his experience with the entire filmmaking team of the 2018 Film Workshop, it received good reviews, it premiered internationally at the International Human Rights Film Festival and is part of the traveling exhibition in various regions of Latin America.
Director:
2019 Reminiscence
Producer's Assistant:
2018 MISS(ING)
2019 Reminiscence
Writer:
2018 MISS(ING)
2019 A First Date
2019 Reminiscence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.