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Jamie Neese

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Film Performances

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Film Production

Co-Producer:
2017  A Midsummer's Nightmare
2017  Grey Lady

Producer:
2017  A Midsummer's Nightmare
2017  Grey Lady
????  Out Come the Wolves

Screenplay:
2017  A Midsummer's Nightmare
2017  Grey Lady
????  Out Come the Wolves

Visual Effects Supervisor:
2017  A Midsummer's Nightmare
2017  Grey Lady
2024  Horizon: An American Saga - Chapter 2
????  Out Come the Wolves

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TV Production

Associate Producer:
2013  Legit
2015  UnREAL
2017  Dear White People

Co-Executive Producer:
2013  Legit
2015  UnREAL
2017  Dear White People
2019  The Umbrella Academy

Co-Producer:
2013  Legit
2015  UnREAL
2017  Dear White People
2017  Gone
2019  The Umbrella Academy
2021  Resident Alien

Post Production Coordinator:
2011  The Protector
2012  Bent
2013  Legit
2015  UnREAL
2017  Dear White People
2017  Gone
2019  The Umbrella Academy
2021  Resident Alien

Post Production Supervisor:
2011  Episodes
2011  The Protector
2012  Bent
2013  Legit
2015  Agent X
2015  UnREAL
2017  Dear White People
2017  Gone
2019  The Umbrella Academy
2021  Resident Alien

Producer:
2011  Episodes
2011  The Protector
2012  Bent
2013  Legit
2015  Agent X
2015  UnREAL
2017  Dear White People
2017  Gone
2019  The Umbrella Academy
2021  Resident Alien

Supervising Producer:
2011  Episodes
2011  The Protector
2012  Bent
2013  Legit
2015  Agent X
2015  UnREAL
2017  Dear White People
2017  Gone
2019  The Umbrella Academy
2021  Resident Alien

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.