A work in constant progress (and occasional regress).
Foley:
2018 Quando as Coisas se Desmancham
2022 Um Instante no Tempo
Foley Artist:
2018 Quando as Coisas se Desmancham
2021 Aquela Mesma Estação
2022 Um Instante no Tempo
Music:
2018 Quando as Coisas se Desmancham
2019 O Tempo Que Resta
2021 Aquela Mesma Estação
2022 Um Instante no Tempo
Sound:
2018 Quando as Coisas se Desmancham
2019 O Tempo Que Resta
2021 Aquela Mesma Estação
2022 Sobre Amizade e Bicicletas
2022 Um Instante no Tempo
2024 Quarto Vazio
2024 The Whispers that Killed Me
Sound Designer:
2018 Quando as Coisas se Desmancham
2019 O Tempo Que Resta
2021 Aquela Mesma Estação
2022 Sobre Amizade e Bicicletas
2022 Um Dia Eu Fui Zeus
2022 Um Instante no Tempo
2024 Quarto Vazio
2024 The Whispers that Killed Me
???? A Sombra de Um Futuro
Sound Editor:
2018 Quando as Coisas se Desmancham
2019 O Tempo Que Resta
2020 De Costas Pro Rio
2021 Aquela Mesma Estação
2022 Sobre Amizade e Bicicletas
2022 Um Dia Eu Fui Zeus
2022 Um Instante no Tempo
2024 Quarto Vazio
2024 The Whispers that Killed Me
???? A Sombra de Um Futuro
Sound Mixer:
2018 Quando as Coisas se Desmancham
2019 O Tempo Que Resta
2020 De Costas Pro Rio
2021 Aquela Mesma Estação
2022 Sobre Amizade e Bicicletas
2022 Um Dia Eu Fui Zeus
2022 Um Instante no Tempo
2024 Quarto Vazio
2024 The Whispers that Killed Me
???? A Sombra de Um Futuro
Sound Recordist:
2018 Quando as Coisas se Desmancham
2019 O Tempo Que Resta
2020 De Costas Pro Rio
2021 Aquela Mesma Estação
2022 Sobre Amizade e Bicicletas
2022 Um Dia Eu Fui Zeus
2022 Um Instante no Tempo
2024 Quarto Vazio
2024 Super Herói do Clipe no Meio da Praça
2024 The Whispers that Killed Me
???? A Sombra de Um Futuro
???? The Cave
Foley Editor:
2018 Harassment
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.