A work in constant progress (and occasional regress).
Alias:
Yuri Gruzinov
Yury Gruzinov
Юра Грузiнов
Юрий Грузинов
Юрій Грузинов
Additional Photography:
2015 The Russian Woodpecker
Assistant Camera:
2010 My Joy
2012 Land of Oblivion
2015 The Russian Woodpecker
2017 Blood Sausage
Camera Operator:
2010 My Joy
2012 Land of Oblivion
2015 The Russian Woodpecker
2015 To Stay Alive
2017 Blood Sausage
2022 One Day in Ukraine
2022 Ukraine Overcoming the Darkness
Cinematography:
2010 My Joy
2012 Land of Oblivion
2015 The Russian Woodpecker
2015 To Stay Alive
2017 Blood Sausage
2022 One Day in Ukraine
2022 Ukraine Overcoming the Darkness
???? War Through the Eyes of Animals
Director:
2010 My Joy
2012 Land of Oblivion
2015 The Russian Woodpecker
2015 To Stay Alive
2017 Blood Sausage
2019 The First Company
2022 One Day in Ukraine
2022 Ukraine Overcoming the Darkness
???? War Through the Eyes of Animals
Director of Photography:
2010 My Joy
2012 Land of Oblivion
2014 Stronger than Arms
2015 The Russian Woodpecker
2015 To Stay Alive
2016 Ten Seconds
2017 Blood Sausage
2019 The First Company
2019 The View From The Window
2022 One Day in Ukraine
2022 Ukraine Overcoming the Darkness
2023 Culture vs War. Kostiantyn and Vlada Liberov
2023 Culture vs War. Serhii Mykhalchuk
2023 Surviving
???? War Through the Eyes of Animals
Editor:
2009 Выход
2010 I 'm not Telling
2010 My Joy
2012 Land of Oblivion
2014 I Know You
2014 Stronger than Arms
2015 Not Today
2015 The Russian Woodpecker
2015 To Stay Alive
2016 Ten Seconds
2017 Blood Sausage
2019 The First Company
2019 The View From The Window
2020 Toloka
2022 One Day in Ukraine
2022 Ukraine Overcoming the Darkness
2023 Culture vs War. Kostiantyn and Vlada Liberov
2023 Culture vs War. Serhii Mykhalchuk
2023 Surviving
???? War Through the Eyes of Animals
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.