A work in constant progress (and occasional regress).
Alias:
G. Barray
Gerard Barray
Gérard Marcel Louis Baraillé
Жерар Баррэ
Birthplace:
Toulouse, Haute-Garonne, France
Born:
November 2, 1931
Died:
February 14, 2024
Gérard Barray (born 2 November 1931 in Toulouse) is a French actor. Barray's parents split up quickly and his mother, who came from Montauban decided to return to her hometown with her little boy. Around the age of 15, he discovered a passion for jazz; he participated in a few shows in nightclubs while pursuing his studies and obtained a bachelor's degree at the Faculty of Toulouse. Camille Ricard, an actress and teacher at the Conservatory of Toulouse, who advised him to go to Paris with a letter of recommendation for a friend, Noel Roquevert. Barray enrolled at the Cours Simon, a drama school in Paris. Four years later, Gérard Barray won the Jury It will then excel in the roles of knights with a big heart. He starred as D'Artagnan, Pardaillan, Surcouf and Scaramouche. In total there practice gender in a dozen feature films, most of which are box-office success, widely known abroad. Besides films swashbuckling as Pardaillan and Scaramouche and adventure films like Surcouf, Barray turned police commissioner in two San Antonio movies. In 1969, he starred beside young actress Claude Jade in "The Witness". He played Van Britten, a mysterious museum curator who seduces a young English teacher. It was his last major role. For Claude Berri he played in Le Cinéma de papa (1970) as Richard, a super star and rather temperamental actor. His comeback in 1997 was in Alejandro Amenabar's "Abre los ojos" as Devernois, a TV man. Gérard Barray was appointed an Officer in the Order of Arts and Letters in January 2010. Source: Article "Gérard Barray" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.