A work in constant progress (and occasional regress).
Birthplace:
Rabat, Morocco
Meriem Bennani (born 1988) is a Moroccan artist currently based in New York City. Bennani works in video, sculpture, multimedia installation, drawing, and Instagram. She is known for her playful and humorous use of digital technologies such as 3D animation, projection mapping, and motion capture. She often publishes her work on social media such as Instagram and Snapchat, having over thirty-seven-thousand followers on the latter as of July 2020.
Director:
2017 Ghariba
2018 Party on the CAPS
2020 2 Lizards
2021 Guided Tour of a Spill
2022 Life on the CAPS
Writer:
2017 Ghariba
2018 Party on the CAPS
2020 2 Lizards
2021 Guided Tour of a Spill
2022 Life on the CAPS
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.