A work in constant progress (and occasional regress).
Alias:
Milo Argimón
Birthplace:
Montevideo, Uruguay
Born:
May 6, 1997
Camilo Argimón (born 6 May, 1997) is an Uruguayan filmmaker, writer, director assistant and occasional photographer. In 2015 he studied for a degree in Languages and Audiovisual Media at the Instituto Escuela Nacional de Bellas Artes (IENBA) and specialized in audiovisual media at the Instituto Superior Polo Educativo Tecnológico (LATU). He directed and co-wrote the short films Cuscus (2018) and The Hares Dream (2019) with Daniel Borges. In addition to serving as director and screenwriter, he was in charge of directing several short films, including Petricor (2017), which he also co-wrote with Daniel Borges, Paprica (2017), Unknown Number (2019) and the student feature film La gran historia (2018). He was part of the young jury at the Piriapolis Film festival, and coordinator of different projects, including the video clip Limbo, used as an input in more than 20 schools and high schools to work on the theme of recent memory in a didactic way, and Ars Music, a cycle of musical sessions with local artists. These last two projects were carried out together with the Ouroboros collective, an artistic collective of which he is a part.
Assistant Director:
2016 Petricor
2023 April Nights
Color Grading:
2016 Petricor
2019 The Hares Dream
2023 April Nights
Director:
2016 Petricor
2018 Cuscus
2019 The Hares Dream
2023 April Nights
Director of Photography:
2016 Petricor
2018 Cuscus
2019 The Hares Dream
2023 April Nights
Editor:
2016 Petricor
2018 Cuscus
2019 The Hares Dream
2023 April Nights
Executive Producer:
2016 Petricor
2018 Cuscus
2019 The Hares Dream
2023 April Nights
Screenplay:
2016 Petricor
2018 Cuscus
2019 The Hares Dream
2023 April Nights
Writer:
2016 Petricor
2018 Cuscus
2019 The Hares Dream
2023 April Nights
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.