A work in constant progress (and occasional regress).
Born:
October 7, 1984
Anu-Laura Tuttelberg is an Estonian animation director specializing in stop-motion. Her short film Winter in the Rainforest (2019), the first in a nature trilogy, premiered at Annecy, screened at over 90 festivals, and won numerous awards. Linnud läinud (2024) is the second film in the trilogy.
Animation:
2019 Winter In The Rainforest
2024 On Weary Wings Go By
Art Designer:
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Art Direction:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Cinematography:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Co-Producer:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Director:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Director of Photography:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Editor:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Producer:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Production Design:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Scenic Artist:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Screenplay:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Set Decoration:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Set Designer:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 Till We Meet Again
2024 On Weary Wings Go By
Set Dresser:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 A Most Exquisite Man
2021 Till We Meet Again
2024 On Weary Wings Go By
Writer:
2011 Fly Mill
2014 On the other side of the woods
2014 Tik-Tak
2016 Empty Space
2017 The End of the Chain
2019 The Old Man Movie
2019 Winter In The Rainforest
2021 A Most Exquisite Man
2021 Till We Meet Again
2024 On Weary Wings Go By
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.