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Donna Anita Nikolaisen

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Alias:
Donna Anita Quinn

Biography from TheMovieDB

Donna Anita Nikolaisen is an Irish stage and screen actor. She trained through LAMDA at Montfort College of Performing Arts, attended The Focus Theatre Stanislavsky Studio and trained vocally at Bel Canto School of Voice. She won Best Supporting Actor at the Underground Cinema Festival for her role in the award winning short QED. Her film credits include: Hallmark's Christmas at Castle Hart, Sweetness in the Belly and The Last Right. Her TV credits include: Conversation with Friends, Nova Jones, The South Westerlies, Blood and Fair City. Her theatre credits include: Tea Chests and Dreams (The Axis), No Irish No Blacks No Dogs (The New Theatre), Jane Eyre (The Gate), Talking to Terrorists (The Samuel Beckett) and The Bacchae of Baghdad (The Abbey). As a voice over artist Donna has voiced radio plays, narrated TV documentaries: Ireland's Refugee Hotel (BBC/TV3) and The Story of Water (Virgin Media) and narrated audio books including the audio book for award winning novel Strange Flowers by Donal Ryan. She is currently (2022) voicing a main character in an animation scheduled for release in 2023.

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Film Performances

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TV Performances

  • 2018  Blood
    Louisa Short
  • 2021  Kin
    Estate Agent

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.